![]() ![]() You also don’t want to worry about this as you’re separating the image. For example, you don’t want to find out as you’re setting up the job on press that with the halftone line count you selected, you won’t be able to hold a 5% halftone dot. I would also give the screenmaking department a double check to make sure that it can provide very clean, high-tension, properly coated screens.įor some reason, high-end separations seem to bring out a lot of the little problems that companies have in their production areas, making the process even more frustrating, especially when it seems every step was done right, but the print still doesn’t look right. Your printing department should have a good handle on how to mix inks for accurate color matching with proper opacity levels. Preparations for simulated process-color jobs need to go beyond the art department. Finally, I recommend that you use a Wacom or similar digitizing tablet for this level of separating and illustrating, although you can tough it out with a mouse if you need to. ![]() Regardless of the platform you’re running, a good working knowledge of Photoshop is helpful to make the most of the recommendations that follow. Note that the instructions presented here will be based on a PC version of the program, but all functions have equivalents in Photoshop for the Mac. To apply the step-by-step approach I outline here, you need to have Photoshop 5.5 or a later version and use at least a 200-MHz computer with 32-MB RAM, otherwise you’ll spend extra hours waiting for the image to process and redraw on screen. Using this method, you can effectively prep, separate, and proof your job for printing in just ten steps. I will outline such a process and provide guidelines for separating dark-garment graphics using a simulated-process approach. One of the best ways to expand your skill at in-house separating is to follow a procedure that has worked well for other printers. When a job involves a really challenging design, it’s essential for artists to involve the printing department right from the start and get feedback about the number of colors, types of screens, and other limitations or challenges that pressroom employees envision. ![]() Before any separations are generated, you have to ensure good communication between the printing and art departments. The key to separating in Photoshop is to use a procedure that takes your printing capabilities into consideration. With the help of Adobe Photoshop, you can take the guesswork out of creating simulated process-color separations and even emulate a printed image’s appearance before the job goes to press. Separating artwork for printing on dark shirts can seem like a daunting task, but it doesn’t have to be. ![]()
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